Deconstructed:
a popular culinary style wherein a dish's ingredients are presented
separately to accentuate their individual appearance and flavor.
Lifehouse's "Noah" is the theatrical equivalent.
Part
biography, part homage, with dashes of parodic timewarp, Dustin
Ceithamer's original script and the talented young cast lay out every
element of the production for the audience to relish. While the patrons
find their seats with aid of Lifehouse's smiley, gregarious volunteers,
the eight young players -- decked head-to-new-Converse-toes in their own
primary color -- mills about on stage, chatting, handstanding and
Facebook-statusing.
Once
the the show begins, the wingless stage design simultaneously pulls the
audience to both center and backstage; as one may watch a touching
monologue or duet number, while the remaining players sift through props
or slip tunics over their jeans and T's. (Thankfully, haphazard animal
costumes made of painted cotton balls are nowhere to be seen.) Ladders
and chairs make for versatile stage elements as they're utilized for
everything from levels, to an altar and the ark itself.
Overall
the production value is top-notch. From the fluid lighting, to the
crisp sound and abstract set design -- every department harmonizes to
create a show short on kinks and long on what can only be attributed to
joyful, whole-hearted dedication to text and craft. Individually, and as
a harmonizing collective, the cast is solid. Each rises to the task of
switching characters, song and dance styles, and endless props without
missing a beat. Two particularly enjoyable segments where the cast
dazzles are when Noah goes on the "Non-committal Relationship [Dating]
Game" to find a wife, and later when the Patriarch and family channel
the rhythmic stylings of "Stomp" while constructing the ark. "Noah" is a wonderfully realized, wholesome, inspirational must-experience romp for the whole family!
LA theater reviews by LA Theater Critic.

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